JOHNSON MUSEUM PHOTO COLLECTION
The Class of 1962 Photography Fund at the Herbert F. Johnson Art Museum (Photo Fund) stands out as a class gift project that will not only endure, but has already secured our legacy.
Class of 1962 Photography Fund at the Herbert F. Johnson Art Museum (Photo Fund) stands out as a class gift project that will not only endure but has already secured our legacy.
With a modest gift from the CGF of $500, the Photo Fund was created in 1977 as a vehicle for purchasing fine-art images for a class photography collection at the Museum. Those council members probably never dreamed of how distinguished our collection would eventually become because of an initial acquisition of three notable photographs. Since then, the breath and repute of our collection has been remarkable. Currently comprised of 37 outstanding historic and contemporary photographs by distinguished and acclaimed photographers, including Edward Steichen, Lotte Jacobi, Andreas Feininger, Bruce Davidson, and Gordon Parks. CLICK HERE TO VIEW THE JOHNSON MUSEUM CLASS PHOTO COLLECTION.
In recognition of its importance, in 2015 the Museum published The Class of 1962 Fund for Photography at the Johnson Museum of Art, a brochure highlighting our Class photography collection and its benefit to the museum (see Johnson Brochure). An image from our collection by acclaimed photographer Frederick Sommer was included in A Handbook of the Collections, a 352-page overview of all the Museum’s collections, published by the Museum in 2018.
With a total investment of almost $151,000, the monetary value of the collection has grown exponentially. A few years ago, Swann Auction Galleries, an international auction house known for its sales of acclaimed photographs, advertised the sale of a collotype by 19th C photographer Eadweard Muybridge in The New Yorker magazine. Estimated value: $30,00-45,000! A collotype by Eadweard Muybridge was one of those three photographs the Fund purchased in 1978!
New images are carefully and thoughtfully selected and discussed with an eye towards what will enhance our collection and the Museum’s needs as a whole. Going forward, all new purchases will be in honor of our upcoming reunions. At out 55th Reunion, the featured speakers Stephanie Wiles, former Johnson Museum Director, and Nancy Green, the senior curator at the Museum who has been instrumental in helping us to build our collection, presented two newly purchased images by Albert Renger-Patzch and Minor White, among others, and discussed the value and importance of our collection to the university. Nine new photos including images by acclaimed British photographer John Davies, Hungarian avant-garde photographer Ada Foto, the celebrated PaJaMa Photography Collective, and Japanese photographer Shoji Ueda were added to our collection in honor of our 60th in June 2022.
At some future date, the Class Gift Fund and other class treasury accounts as well as the Class Matriculation Account will have to be put out of business. In April of last year, the Class Council signed a Final Treasury Disposition Statement of Intent naming this exceptional Photography Fund as the recipient of all the remaining funds. Here’s to the Class of 1962 for a job well done. Bravo!
The Cornell Class of 1962 Photo Collection
Click for slide show of full-size enlargements.
Timothy O’Sullivan
Irish/American, 1840-1882. Black Cañon, Colorado River, (looking below near Camp 7), ca. 1871. Albumen print.(1982)
Bruce Davidson
American, 1933. Untitled (Annie Blackman holding her youngest daughter, Felicia, from the portfolio Time of Change, Trickem Fork, Alabama.1965. Gelatin silver print. (1981)
Laura Gilpin
American, 1891-1979. Canyon from Balcony House, Mesa Verde National Park, ca. 1920s. Gelatin silver print. (1989)
Lauren Greenfield
American, born 1966. Allie, Annie, Hannah, and Berit, all 13, Before the First Big Party of the Seventh Grade, Edina, Minnesota, 1978. Dye destruction print. Purchased in memory of Daniel E. Rich ‘96. (2007).
Lou Stoumen
American, 1917-1991. Sitting in Front of the Strand Theater, Times Square, ca. 1940. Vintage gelatin silver print. (2010)
Frederick Sommer
American, 1905–1999. Artificial Leg, 1944 (negative), ca. 1970s (print). Gelatin silver print. (2010)
Gordon Parks
American, 1912-2006. The Fontenelles at the Poverty Board, Harlem, New York, 1967. Gelatin silver print. (2015)
Bruce Davidson
American, 1933. A Young Man with “Vote” Painted on His Forehead during the Selma March, Alabama, 1965. Gelatin silver print. (2016)
Albert Renger-Patzsch
German, 1897-1966. Industrial Study, ca. 1930s. Gelatin silver print. (2017). Purchased in honor of 55th Reunion.
Minor White
American, 1908 – 1976. Axe and Plowed Field, 1948. Gelatin silver print. (2017). Purchased in honor of 55th Reunion.
John Davies
British, 1949. Wardsend Cemetary, Hillsborough, Sheffield. 1981. Gelatin silver print. (2019). Purchased in honor of 60th Reunion.
Foto Ada
Foto Ada (Elemérné Marsovsky/Ada Ackermann), Hungarian, ?-1944. Untitled. c. late 1930s-early 1940s. Unique vintage halftone collage. (2019). Purchased in honor of 60th Reunion.
PaJaMa Collective
Photo Collective: Paul Cadmus, Jared French, Margaret French. Jose Martinez, Fire Island, ca. 1939. (2020). Purchased in honor of 60th Reunion.
Shoji Ueda
Japanese (1913-2000). Hiroshima – Fine Day. Gelatin Silver Print, 1974. (2021). Purchased in memory of Jan McClayton Crites and in honor of 60th Reunion.
Adolphe Braun
French, 1812–1877 Fritillaria. Albumen print 1860s (2022) Purchased in honor of 60th Reunion.
Kati Horna
Hungarian/Mexican, 1912–2000 Espejo. Gelatin silver print 1960s (2022) Purchased in honor of 60th Reunion.
Emilio Amero
Mexican, 1901–1976 Untitled [Coney Island]. Gelatin silver print 1935 (2022) Purchased in honor of 60th Reunion.